Existentialism and the Salsa Connection (part 11 of 11)
Part 11: Existentialism and the Salsa Connection
by Sam Gill
Some of you know that I am not only a salsa teacher/dancer, but also an academic. I have taught at the University of Colorado as Full Professor since 1983 (hmm, how can that be as young as I am?). For over a decade I have been doing research and teaching topics related to dance traditions around the world and to understanding what it is that distinguishes dancing as a human activity. This research has taken me to many fields of study and to read and think about lots of things.
One of the most provocative areas I have been interested in is the philosophical writings of a Frenchman named Maurice Merleau-Ponty. His research was on human perception. Most theories of perception see the human body as kind of a box with the senses being something like instruments that detect what is outside the box and bring it in the box. Merleau-Ponty’s revolutionary work found that bodies aren’t boxes that passively receive information from outside through the senses, but rather that we interact with the world beyond our skin in creative ways. Our senses are actively creating the world as they sense the world and this is based on the nature of the human body including the mind/brain. He showed that we interactively create and discover the world all the time.
Merleau-Ponty’s principal inspiration for this view was the simple situation in which we touch one hand with the other. One is touching the other, but this can easily be reversed so that the hand doing the touching is actually touched by the other hand. This flip-flopping, or reversibility, as the two hands are of one body, shows the two are inseparable, that is, in some sense also one. He referred to this reversibility using the term chiasm which is a crossing place. We can also think of it as modeled by a mobius strip which has both two and one sides simultaneously. Another kind of illustration is to think of M C Escher prints where a tiny shift in focus flips back and forth the images we see ( http://www.mcescher.com/ ). Extending this analogy of one hand touching the other, Merleau-Ponty believed that all perception is of this nature. As we see the world, we are also seen (in some sense) by the world and so on. The point is really that perception is interactive; it is the active presentation of things outside us for us to perceive while it is, at the same time, our actively seeking the world beyond us, creating it and our experience of it in the terms of the history of our experience and expectations, in terms that are dictated by the biology and physiology of the human body. The body and mind are inseparable as are the perceiving human being and the world the human being perceived. Well, that is a pretty quick and dirty presentation of Merleau-Ponty and ideas I have been contemplating for years.
The point here, really, is that, as I have been thinking about how fundamental the salsa connection is to salsa dancing, I realize that it is chiasmatic or mobiatic in the same sense that Merleau-Ponty described. The two partners creating the salsa connection are indeed separate people, individual dancers, yet, in their dancing, in their creating a salsa connection, they are also one, that is, a connected flowing unified entity. They are two, yet one; one, yet two. But the full realization of this amazing structurality is experienced only at that point when together they realize the salsa connection.Take the Salsa Challenge. Experience the Salsa Connection.








Hi Sam and everyone else,
Love the article.
Just something that came to mind when reading the last paragraph of the article, regarding the two dancers creating 'a unified entity'. Merleau-Ponty talks of dehiscence and gives the example of an apple that is cut into two halves. The shape of each half is representative of the shape of the other half. Extending this to the dance, the shape (or the move) of one partner is representative of the shape and the move of his/her partner. The apple, then, is the dance itself, cut into two, yet it is one in essence.
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Great to know that you are looking in on this Heghy. Wonder how many folks out there are following along on the Merleau-Ponty stuff. I love your reference to his reference to dehiscence and it is a great metaphor for the partner salsa connection. You doing any dancing? Best to you, Sam
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